I BUILD AUDIOVISUAL SYSTEMS IN WHICH ACOUSTIC GESTURE, ELECTRONIC PROCESSES, AND RESPONSIVE IMAGE CONTINUALLY REINTERPRET ONE ANOTHER. THROUGH THESE TRANSFORMATIONS, I EXPLORE HOW PERCEPTION, EMBODIMENT, AND TECHNOLOGICAL SYSTEMS PARTICIPATE IN THE FORMATION OF MEANING.

IVNE(June) is a New York–based audiovisual artist, composer, and performer working with Japanese koto, electronic systems, and realtime image. His practice moves across music, visual art, filmmaking, and live performance, developing narrative systems in which human gesture and computational processes continually reshape one another.

Formation of the Practice

A person wearing a Ski mask

1

PHYSICS

Academic study of physics, particularly quantum mechanics, shaped the way I understood reality: not simply as something observed from outside, but as something whose interpretation depends on conditions, perspective, and uncertainty. It established the questions that later entered my artistic work.

2

PAINTING

Painting taught me how to give an abstract idea a concrete visual presence. Composition, contrast, spatial relationships, and visual value became ways of translating a concept into something that could be immediately perceived.

3

MUSIC

Music offered a more abstract language. Instead of representing an idea directly, I could shape an impression through duration, repetition, tension, resonance, and transformation-allowing meaning to accumulate through time rather than appear all at once.

4

Film

Filmmaking gave me a framework for coordinating image, sound, movement, performance, and time within a single narrative structure. It taught me to think not only about individual elements, but about how different media can work together to direct an experience.

5

A/V system

Live audiovisual performance became the form in which these practices could coexist. Sound, image, physical gesture, electronics, and narrative are no longer assembled into a fixed sequence; they interact in realtime, allowing the work to change through performance itself.

1

PHYSICS

Academic study of physics, particularly quantum mechanics, shaped the way I understood reality: not simply as something observed from outside, but as something whose interpretation depends on conditions, perspective, and uncertainty. It established the questions that later entered my artistic work.

2

PAINTING

Painting taught me how to give an abstract idea a concrete visual presence. Composition, contrast, spatial relationships, and visual value became ways of translating a concept into something that could be immediately perceived.

3

MUSIC

Music offered a more abstract language. Instead of representing an idea directly, I could shape an impression through duration, repetition, tension, resonance, and transformation-allowing meaning to accumulate through time rather than appear all at once.

4

Film

Filmmaking gave me a framework for coordinating image, sound, movement, performance, and time within a single narrative structure. It taught me to think not only about individual elements, but about how different media can work together to direct an experience.

5

A/V system

Live audiovisual performance became the form in which these practices could coexist. Sound, image, physical gesture, electronics, and narrative are no longer assembled into a fixed sequence; they interact in realtime, allowing the work to change through performance itself.

CURRENT PRACTICE

The practice moves across live performance, composition, realtime image, installation, and interdisciplinary collaboration.

1. LIVE AUDIOVISUAL PERFORMANCE

Koto, electronics, realtime image, narrative structure

Live works combine acoustic gesture, electronic processing, and responsive projection within a narrative framework. Sound and image evolve together as parts of the same performance system.

2. COMPOSITION / SOUND

3. REALTIME IMAGE / VISUAL SYSTEMS

4. INSTALLATION / SPATIAL MEDIA

5. INTERDISCIPLINARY COLLABORATION

Open Channel

For performances, collaborations, commissions, or conversations around the work, the channel is open.

Transmit=>

Open Channel

For performances, collaborations, commissions, or conversations around the work, the channel is open.

Transmit=>